Kant, aesthetics and contemporary art
23–24 October 2020 – Online (via Zoom)
This conference discusses the relation between Kant, aesthetics and contemporary art. Kant’s aesthetics is rarely discussed in relation to contemporary art. If the artworld wants a philosophical framework born of German idealism, it is usually Hegel’s dialectic, with predictions of the end of history and the death of art, that is drawn upon. Furthermore, while Kant’s treatment of the sublime might attract interest, the fact that the greater part of the Critique of Judgment focuses on beauty and judgments of taste can give the impression that his aesthetics has little to offer contemporary art. But there is much in Kant that can both inform and question recent art theory and practice:
- the scope of aesthetics in and after conceptual art
- the nature of aesthetic judgment
- the role of concepts in aesthetic experience
- how actions of appropriation and transposition might draw upon Kant’s epistemology
- the status of sensibility as a faculty that challenges (the) understanding
- Lyotard’s reading of Kant and the sublime.
The conference programme is a series of keynote and plenary papers, i.e. no panels, so all delegates have the opportunity to attend all papers.
Keynote Speakers
Aesthetic ideas and conceptual art
Diarmuid Costello, University of Warwick, UK
‘Free’ play? Kant, play and the question of aesthetics in contemporary art practice
Katarzyna Zimna, Technical University of Lodz, Poland
On being contemporary: Kant, Kentridge and cave art
Fiona Hughes, University of Essex, UK
Kant, Lyotard, and the sublime in contemporary art
Rachel Zuckert, Northwestern University, USA
Plenary Speakers
Kant and contemporary cinema
Patricia Castello Branco, New University of Lisbon
Lyotard and Kant on the state of the sublime in art
Adrian Kvokacka, University of Prešov
Time and judgment in Kant
Clive Cazeaux, Cardiff Metropolitan University
A taste of moral concerns
João Lemos, New University of Lisbon
Laughing with Kant and Lucas
Anna Enström, Södertörn University
‘This is Art.’ Conceptualising art within the aesthetic judgment. Or: Kant after de Duve
Christoph Poetsch, Heidelberg University
Schematism without concept: aesthetic judgments and the free lawful play of the imagination
Luigi Filieri, University of Pisa
Kant on concept formation in aesthetic judgment
Sabina Vaccarino Bremner, Columbia University
Kant and the contemporary philosophy of poetry
Iris Vidmar Jovanović, University of Rijeka
Organising Committee
Clive Cazeaux, Cardiff Metropolitan University
Howard Williams, Cardiff University
Andrew Jones, University of Exeter
Registration instructions
To register please follow the Eventbrite link on the registration page at the top of the webpage.
If you have any queries, please contact Andy Jones: aj359[@]exeter.ac.uk
**Image: Katarzyna Zimna, S-he, 2017–18. Linocut, spray paint, 100 x 70 cm